Soon after the release of version 12.5, Resolve became my primary piece of editing software. I had been doing some editing with DaVinci Resolve since version 12.0, and using its color correction capabilities since long before that. I’ve just been taking it one day at a time…Actually, it’s been easy. Instead, they just kept introducing new mobile apps that no pro editor would ever touch, while core features of Premiere CC remained buggy and unrefined.Īnd so today I am proud to say that I have been Creative Cloud-free for 9 months! Yes, thank you. Soon the Creative Suite evaporated into the Creative Cloud, a transition I could have lived with had the costly subscription model brought the rapid improvements that Adobe promised. The next version of Premiere Pro, version CS6, was an overhaul to their long-neglected NLE that showed real promise. Adobe took direct aim at the pro editors whom Apple had seemingly abandoned with the initial release of Final Cut Pro X. It all began with the untimely death of Final Cut Pro 7. My switch to DaVinci Resolve as my primary NLE (from Premiere Pro CS5-CC…from Final Cut Pro 2-7…from “The Avid”…)

Adobe was responsible for the Flash epidemic, after all, a virus which took decades to eradicate. Six years later, with Avid in bankruptcy, Apple built on the runaway success of FCP 8 with FCP 9, an app so flawless that its users ascended to a higher plane of existence, their cinematic visions inspiring peaceful resolutions to all the violent conflicts on Earth.īut here in this universe, Apple released Final Cut Pro X, and I switched to Adobe Premiere Pro.Īfter a brief honeymoon period, I spilled a whole lot of digital ink bitching about how much Premiere Pro sucks. FCP 8 introduced cutting edge innovations, 64-bit performance, and Apple’s trademark interface refinements without sacrificing existing features or compatibility with FCP 7. In an alternate timeline, no pun intended, Final Cut Pro 8 was a brilliant upgrade to Apple’s storied non-linear editor. DaVinci Resolve 14 Edit PageĭaVinci Resolve 14 Now Available for Download (That’s not an affiliate link. Blackmagic Design’s DaVinci Resolve 14 is what FCP 9 should have been…and FCP X never will be.

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